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After India's father dies in an auto accident, her Uncle Charlie, who she never knew existed, comes to live with her and her emotionally unstable mother. Soon after his arrival, she comes to suspect this mysterious, charming man has ulterior motives, but instead of feeling outrage or horror, this friendless girl becomes increasingly infatuated with him. R
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Movie Title : Stoker
Genre Movie :Drama,Horror,Mystery & Suspense
Mpaa Rating : R
Release Date : Mar 1, 2013 Limited

Actors :Mia Wasikowska,Matthew Goode,Nicole Kidman,Dermot Mulroney,Jacki Weaver,Lucas Till,Alden Ehrenreich,David Alford,Peg Allen,Lauren Roman,Phyllis Somerville,Harmony Korine,Dominick "Dino" Howard,Tyler Von Tagen,Thomas Covert,Jaxon Johnson,Paxton Johnson,Judith Godrèche,Ralph Brown

Visitor Ranting & Critics For Stoker

All Critics Ranting For Stoker : 6.4

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New Trailer For Stoker

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Review For Stoker

'Stoker': Park Chan-wok's sensually sinister 'Shadow of a Doubt'
Joe Baltake-Passionate Moviegoer

Stoker is a movie about tension and inaction, about people trying to figure out what's going on in someone else's head.
Connie Ogle-Miami Herald

Stoker is a cunning exercise in transgression. But one can't help but wonder what kind of film Park might have made if he'd had the full creative control to which he's accustomed in Korea.
Christopher Orr-The Atlantic

None of it is life-changing, but it is effectively eerie. Stylishly spooky, even.
Tom Long-Detroit News

"Stoker" plays out like a Kabuki "Macbeth": gallons of style slathered on a story you already know by heart.
Michael O'Sullivan-Washington Post

"Stoker" is a thriller in which the big question is not "What will happen next?" but rather "What is going on?"
Mick LaSalle-San Francisco Chronicle

You never know where Park is going to take you next, even when you're not so sure you want to go along.
Al Alexander-The Patriot Ledger

It's admirable how effortlessly Park adapts to English, fearlessly exploring his creepy, squirmy themes without compromise.
Jeffrey M. Anderson-Common Sense Media

Style doesn't just win out here, it smashes substance like a bug under a shoe.
Brian Tallerico-Film Threat

Park subverts standard framing rules when characters are speaking to one another, employs sweeping camera movement from weird angles, and stops key scenes just at their climax, only to return to them later for a fuller picture.
Eric Melin-Lawrence.com

The first unquestionably outstanding film of 2013.
Sean O'Connell-Film Racket

As fun as it can be to play this game of spot-the-reference, the movie's too besotted with its own cleverness and stylistic flourishes to generate a genuine sense of risk or menace.
Jason Anderson-The Grid

Shades of Hitchcock, but this horror thriller lacks a protagonist worthy of its audience.
Paul Chambers-Movie Chambers

It feels like an empty exercise in creepy perversity that's more confusing than coherent.
Todd Jorgenson-Cinemalogue.com

Stoker is symbolism in search of a story. It's like Breaking Bad if it was a show about Walt killing flies, and only tangentially concerned with the meth business.
Vincent Mancini-FilmDrunk

India Stoker is a girl with a spider inside her. That's a metaphor to suggest she is both victim and predator within her family web; Park literalizes the idea with shots of a spindly arachnid creeping up the girl's sock, toward her skirt.
John Beifuss-Commercial Appeal (Memphis, TN)

Come for the atmosphere, but don't stay for the plot
Marty Mapes-Movie Habit

Falters in spite of Korean director's skills
Robert Denerstein-Movie Habit

Stoker is a mystery where the means justify the ends, where even the most cynical viewer will stand up and take notice of where this particular filmmaker is taking us.
Bill Gibron-PopMatters

In the end it was a little too strange for my taste, but I know fans of the dark and mysterious will love it.
Jolene Mendez-Entertainment Spectrum

As fascinating as it is frustrating, Stoker boasts all the potential for the making of a great film. Instead, it settles for merely being an admirable one.
Mark Rozeman-Paste Magazine

The aesthetic accomplishments of the movie can't make up for the lack of a compelling narrative.
Matthew Odam-Austin American-Statesman

Park amps up every moment with a sweaty, ghoulish atmosphere, and he plants the Hitchcock references like an Easter egg hunt.
Sean Means-Salt Lake Tribune

Stoker, rather improbably, manages to find the handshake place between predictable and confounding. And that's... an achievement?
Kimberley Jones-Austin Chronicle


TagLine Stoker Innocence Ends